She is spectrally thin, sleek and futuristic riding fringes, sequins and sighs. It is divided into a generously
orgiastic intercourse between the piano and keyboards to his left to his right hand to a microphone, while the rectangular stool impala thighs wide open and constantly and shamelessly offered his audience. Pat
incessantly her lovers key and cables, blowing on the stems of valves its crystalline treble and bass hoarse and scratched, but never exceed in the registers. In a blaze of facial expressions and gestures Mossette, interprets his new music, wisely dosing sanctity and sensuality, spirit and flesh, and soul of the trade rags.
few concessions the great successes of the past. It never stops, it is a war machine, never drinks even a sip of water, barely breathing between the workpiece and the other, change the sounds on keyboards with the power of thought, even the bassist and drummer / percussionist, at one point, only to desist and leave the scene.
After the tenth track the effect of incumbent Michael Nyman and his voice is too constantly flanger. When the tools of the stage and perform an impromptu dramatic change keyboards on wheel self-propelled platforms, you may also have the effect Emerson, Lake & Palmer : mica hours will sing with the piano suspended upside down?
She continues unabated, Sadako by wisps of fire before his eyes, and splashed enchantress jerky, reborn in his second childhood.
Perfect, flawless, relentless, long-winded. More than two hours on a concert, not even a break and just out for an encore. Now the music has veered towards pure dance rhythms.
She goes on and on. Begins to ascend into the sky like a balloon and it flies away, the slender body like a thin thread hanging on his round face botulinum.
It goes on and on and continues.
Shoot the piano player, save the vocal cords, the rubatele Jimmy Choo. I want them. Applause
many. So many emotions.
orgiastic intercourse between the piano and keyboards to his left to his right hand to a microphone, while the rectangular stool impala thighs wide open and constantly and shamelessly offered his audience. Pat
incessantly her lovers key and cables, blowing on the stems of valves its crystalline treble and bass hoarse and scratched, but never exceed in the registers. In a blaze of facial expressions and gestures Mossette, interprets his new music, wisely dosing sanctity and sensuality, spirit and flesh, and soul of the trade rags.
few concessions the great successes of the past. It never stops, it is a war machine, never drinks even a sip of water, barely breathing between the workpiece and the other, change the sounds on keyboards with the power of thought, even the bassist and drummer / percussionist, at one point, only to desist and leave the scene.
After the tenth track the effect of incumbent Michael Nyman and his voice is too constantly flanger. When the tools of the stage and perform an impromptu dramatic change keyboards on wheel self-propelled platforms, you may also have the effect Emerson, Lake & Palmer : mica hours will sing with the piano suspended upside down?
She continues unabated, Sadako by wisps of fire before his eyes, and splashed enchantress jerky, reborn in his second childhood.
Perfect, flawless, relentless, long-winded. More than two hours on a concert, not even a break and just out for an encore. Now the music has veered towards pure dance rhythms.
She goes on and on. Begins to ascend into the sky like a balloon and it flies away, the slender body like a thin thread hanging on his round face botulinum.
It goes on and on and continues.
Shoot the piano player, save the vocal cords, the rubatele Jimmy Choo. I want them. Applause
many. So many emotions.
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