evening at the 'Init is chock-full of people. Line to enter, doors closed up at 22.15 and strictly not begin before 22.45.
Now, for the schedule of concerts, I do not know how I adjust.
opens the evening of the Roman formation Refuse that he is recording his first album, and meanwhile, performs a lot, between Rome and Berlin.
The band has seven elements: the inspired braid Andrea D'Amico on bass, Daniel Casolino floor, Calfapietra Dario on guitar and glockenspiel, Valerio Iammartino on guitar and vocals, the cello Pietrina Mancini, Martina Pelosi on vocals and Ambrosetti Matt on drums.
Their music is a unique mixture post-rock Pink Floyd -ish, a bit prog 'psychedelic, folk and pop Italian atmosphere slightly busy.
rehearsed, technically skilled and dedicated. My personal taste I would suggest them to make the songs (despite the beautiful voice and the undoubted technical skills and extension Martina) less invasive in order to avoid the effect Anna Oxa meets Rachels .
This, however, could also be a distinguishing feature. As I said, taste is personal.
After a fairly quick-change stage, arrive our magnificent four who are to meet the latest European tour (which ends Oct. 17 with the last three concerts in Romania , after an exhausting tour de force that saw them open around the U.S. throughout much of August and September, for Autolux and Deftones ) at the release of their latest album Tunnel Blanket for the Magic Bullet Rec .
I This Will Destroy You four Texans are a bit rough and 'rotten, except the drummer, Alex Bhor, who, besides being very good, also seems to be
the only good guy: no drinking, no smoking, talking and smiling at all, unlike the other three group members who seem as wrapped in a sort of torpor Dionysian, slightly autistic, and closed in a sort of shyness bit 'contemptuous. The other, of course, Donovan Jones (5-string bass, bier style keyboard and moog suonetti various), Chris King (guitar and trance face of the late Michel Petrucciani during solos) and Jeremy Galindo (guitar, and they sound different, including complaints of distorted voice) smoke on stage and whiskey and beer are passed without regard for the continuity of alcohol.
In the face of their suffering more than the music they hear in the strings and blood, as they feel the hurt of life and the weight of art.
And a bit ', is a flamboyant attitude à la maudit, and a bit', is the distinguishing characteristic of those who find themselves living a fate which, though pleasant, do not really have chosen, as, indeed, happens to us all. This will destroy you , obviously, not a name at random.
Together they have a deep and powerful sound, rural roots and a post-rock suspended in time that gets under your skin and you shake your guts.
I MEGABITE the central sub-woofer, which I placed in front, moving with vigorous vibrations my skirt and boots just below the water table knees.
dynamics go up and down continuously, like a roller coaster that climbs above the lens and exciting wild and dizzying descents, and after the storm comes the calm and quiet and then comes back, again, the storm.
The pieces are a succession of calm lakes of guitars riding a rarefied energetic explosive batteries, and broken rhythms, at times, almost tribal. Loop repeated, loud explosions, stretched and distorted sounds, chords and sweet scathing vehemence. It will be too late for almost ten years and the target groups they might
a list (indie) child ( Mogwai, Explosions in the Sky , God Speed \u200b\u200bYou! Black Emperor and a little ' Labradford ) but the crowds he performed in semi-slow yet vital head-banging.
Applause, transportation, delirium.
avercene For post-rock as well. In Italy and the world. 
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