Man Dancing With Woman Painting

OH NO ONO LIVE IN ROME @ MADS

It 'difficult to frame these strange creatures fawn (s) capigliate, from Denmark and landed last night at Mads of Rome.

Malthe Fischer, the lead singer of the band debuted on stage in a single voice and guitar, as a goggle-eyed pixie with the voice of the North Topo Gigio , in a piece entitled Sunshine and rain at once , based on the first album, Yes . The slow, haunting piece.

Then you add the other singer / bassist / keyboardist / Sampler Svoldgard Nis, the third singer / guitarist also samplerate Zidore Aske and the excellent drummer Kristoffer Rom, from nerdy eyeglasses and clicks in the headphones.

attack with young Helplessly, taken from Eggs , who are promoting their latest album and fired from Leaf piece from reminiscences Cure Malthe-ian in which, oddly, continues to seem a Tom Waits a couple of octaves above, young, drunk and without a voice a little hoarse.

Then comes Ba ba baba ba ba well anyway , always from the first disc, they seem vague ; Beach Boys stained electronic punk.

Punk is the attitude with which to play: lots of energy, good blend, and not too technical. Come three other pieces Eggs : Eleanor speaks , Internet warrior and Icicles they seem the vigorous Beatles drunk and Supertramp post its time.

Then you return to a song from Yes, Am I right? that look like Sigur Ros possessed by Ramones , proceed with The wave ballet , which opens with a shoe-gaze to My Bloody Valentine contaminated sung pop, the amazing beauty of The tea party , the pure energy of Keeping warm in a cold country ( Yes ), the electro-funk-punk, disco-ill and post-modern Practical Money Skills for Life ( Yes ), the pure rock & roll-tinged new wave with a chant of Norway Miss Miss Moss , and finally Fat Simon says with the unusual and difficult rhythm changes, taken from first EP .

Applause, many, of a team gone, in a world that, unfortunately, and produces too little appreciated.

Our returning for an encore: a beautiful cover of Tomorrow Never Knows Beatles , with guest tour-promoter who takes the stage and embraces the guitar, joining his proteges. The Oh No Ono pay homage to this song like few others: tribal-attack with pace and indianeggianti Then, they become increasingly powerful, energetic, explosive, exhausting. A final end-all as they should be: memorable.

as a surprise last, the CD counter, brooches, gadgets and T-shirts, the prices are more than political: at the discretion of customers!

I brought home two T-shirts and avant-garde aesthetic care, thinking that, as usual, from Northern Europe we only have to learn.